crime
Suburbicon is a somewhat effective thriller that unfortunately squanders its potential at being a deeper film about racial tension.
Taxi Driver is a complex film in the way it presents a relatable character and then shows the increasingly erratic choices that he makes.
Despite some flaws, Suburbicon is still a riot of a good time, poking fun at the inherent obscurity of the American Dream in a unique way.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
War Dogs is a hyper-masculine film that, offensively but not surprisingly, uses its main female character simply as a plot device.
Steven Soderbergh’s Logan Lucky is one hell of an enjoyable ride that leaves you feeling lucky to have been along
Last Rampage is a gripping crime thriller and a delight for true crime film fans that examines the strong influence and bonds within family.
Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.
Wetlands chronicles one man’s inauspicious return home in an attempt to make amends with his family and restart his cop career.
Cardinals is a tense and subtly effective thriller set in small-town Canada, bolstered by strong performances and complex themes.
They Live by Night belongs to the tradition of films about outlaw lovers on the run. Like many of Ray’s main characters, normal life eludes them.
While full of plot holes and shakes characters, What Happened to Monday is still a weird, yet perfect movie for a night in.
Taking direct inspiration from the Coen brothers’ films, Noah Hawley’s Fargo is an exemplary summation of their absurdist philosophy.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.