crime
The saying goes that the story writes itself, but White Boy Rick shows that even the best tales can be crafted into a boring, listless film.
Paul Feig’s latest, A Simple Favor, sees him unshackle himself from his comedy ties – unfortunately, the result is a subpar Gone Girl wannabe.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Not bad but rather bland, The King of Thieves is too simply constructed to fully capitalise on its solid cast and compelling true-life crime story.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
Yardie is loaded with Idris Elba’s enthusiasm, but feels decidedly less confident in the wake of other recent directorial debuts.
With its clichéd and unoriginal plot, The Happytime Murders proves the era of puppets for adult entertainment may not be as effective as it once was.
This season of Trial & Error has been a wonderful ride, utilizing its talented cast throughout a season of twists, turns, and laughs.
Blue Iguana is a fun throwback to 80’s action crime movies, aided by fantastic performances and a punchy script.
Though Brij Mohan Amar Rahe may be funny and entertaining at points, it mostly comes across as unpleasant to watch and unintentionally muddled.
Blackkklansman works on every level – it tells a wildly entertaining story while addressing a pressing social issue with intelligence and moral heft.
The Americans is a show that asks you to examine what exactly it is about capitalism that you like, the effect those aspects of it have on other people, and whether your lifestyle is ethical.
A Prayer Before Dawn boasts a fantastic central performance from Joe Cole, but unfortunately, wastes an astonishing true story in favour of genre cliches.
As a first-time feature for writer/director Stephan Littger, Her Composition is ambitious and full of earnest affectivity.
We were able to talk to Matthew Ross, writer and director of the upcoming crime thriller Siberia about his brief but prolific filmmaking career, working with Keanu Reeves, and more.