crime
We break down the career of Dave Franco, who transitions from the inherently unlikable pseudo-villains to the everyman, unconventional heroes, and some bizarre characters sprinkled in between.
Trust Machine: The Story of Blockchain from director Alex Winter is a ride worth taking and asking how will you imagine the world.
Unfortunately, the ill-conceived story of Ben is Back does not shine light on the opiod crisis, creating a seedy, underground world that the uninitiated can never comprehend.
This month’s Staff Inquiry is all about our most beloved examples of film noir, picking from the classic era of the ’40s and ’50s.
Anchored by three brilliant central performances, Dragged Across Concrete is an interesting, unpredictable movie that zigs when we expect it to zag.
Write When You Get Work can be sweet, and there are semblances of earnest intentions, but overall it feels tame.
As a follow-up to our previous recommendations on underrated 1940s noir for Noirvember, we jump a decade later, to the 1950s.
In celebration of Noirvember, we present to you a list of 15 underrated classic noirs from the 1940s.
Another cinematic stab at Lisbeth Salander will always appeal to the character’s preexisting fans, but The Girl in the Spider’s Web does nothing to show the uninitiated what they’re missing.
Widows is a thrilling, satisfying and breathtaking experience that toys with the conventions of the genre while bringing enough depth and surprises of its own.
Daredevil is still the stunner of Hell’s Kitchen, and of the Netflix Marvel world, with an adept season three that goes back to its roots, but also grows from them.
Although it’ll be overshadowed by The Hate U Give, River Runs Red is an important film. The themes it explores make it a vital piece of social commentary.
S. Craig Zahler’s loyal cult following will find much to love with Dragged Across Concrete, although first time viewers will find it a difficult watch.
The Hate U Give is an important film; it understands the suffering poor communities go through, and how economic circumstances can enflame racial tensions.
London Fields feels like it’s trying to accomplish too much, and as a result, accomplishes very little.