crime
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.
“The Strangler” is a strange, seductive film that paved the way for many to follow, yet never received a U.S. theatrical release…until now.
Killers of the Flower Moon is both a faithful adaptation and a masterful epic from Martin Scorsese. It is authentic, respectful, and informative, exuding the talents of those both in front of and behind the screen.
In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.
Director David Fincher returns with The Killer, a stylish thriller about an assassin played by Michael Fassbender.
The Bikeriders film evokes an interesting time and place in US history, in which Nichols’ ensemble cast take big swings – and get big enough hits.
In some shape or form, both protagonists from the following Saudi Arabian films are limited…
Anatomy of a Fall needs no dissection to understand why this is sure to become one of your favorite films of 2023.
Killers of the Flower Moon isn’t just a historical tale but a profound and subtle commentary on history, humanity, and the power of storytelling.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.