crime
So while we did get some leads on our ongoing plot threads, The Boys continues to wallow in its worst tendencies.
In our recap from the The Volvo Scandinavian Film Festival 2019, we cover two high-profile premieres: The Purity of Vengence and A White White Day.
Upheld by two zestful leads, and polished production design, Lying and Stealing is almost the real thing, but oversells its value.
Ash Is Purest White is a masterpiece of time and alienation. Aaron Berry examines the ways time affects the characters.
The Boys is a bizarre mishmash that leads to some mishandling of sensitive material and a strange tonal dissonance throughout.
Orange Is The New Black was never pitch perfect, but it hit enough high notes to make it count. Farewell, Ladies of Litchfield.
Skin manages a few gripping moments thanks to its cast but can’t string them together into something meaningful.
Aaron Harvey spoke exclusively with Film Inquiry about his latest film, revenge thriller Into The Ashes.
Stuber isn’t a life changing film, but it’s a worthy addition to the buddy-cop comedy pantheon.
Carlos Reygadas is a filmmaker who’s art embodies a self-examination of human existence down to the molecule of each celluloid strip.
Dark is still a time-traveling minefield, provoking characters to coast through time, evolve and alter their original impulses.
While it’s a hard watch, Too Old To Die Young is Nicolas Winding Refn’s finest work – a series to be savoured, mulled over and discovered again and again.
Too Old To Die Young might be exhausting, but both of these episodes with their shocks and new emotional layers are incredibly rewarding to watch.
Too Old To Die Young is an exhausting watch, we can only assume there will be a big reward at the end for us loyal viewers.
The Refuge keeps patient viewers hooked and film lovers invested by maintaining a harsh and eye-catching atmosphere and storytelling angle.