crime
Carnival Row starts off slow and is hard to get invested to, but eventually pays off in some respects.
Hustlers won’t be loved by everybody, but as both entertainment and an addition to the world of crime cinema, it’s an exceptional work.
Despite some early objections, The Boys turned out to be a pretty terrific show that exceeded initial expectations and then some.
Mirrah Foulkes’ folk tale of misogyny in the Middle Ages, Judy & Punch, is sometimes mischievous and sometimes utterly volatile, but never formulaic.
Season 2 of Titans starts off on a messy but promising foot that does more to excite fans for future episodes than work as a spectacular conclusion for its previous arc.
As we head into the final two episodes, we have relationships on the verge of collapse, secrets to be exposed and a target on the Boys’ backs. Whatever happens next, it’s sure to be bloody.
The Death of Dick Long might easily be the most bizarre film of the year, but it’s also one of the funniest.
Dark and gritty, Joker is a pressure cooker of emotional abuse that is just ticking, ready to blow at every minute.
The plot thickens in episodes 4-6 of Mindhunter: Season 2, as the dramatic fallout of the first season fades into the rear view mirror and the intense conflict of this new season shifts to the forefront.
Season 2 of Mindhunter reminds us why we adore this show: it’s gripping, intoxicating television, as engaging on a scene-to-scene basis as it is on a grand narrative level.
Sadly, Ecco fails to deliver good writing and a visual instinct to its audience, loosing trust and the ability to keep them interested.
Coming off the heels of an episode that re-shaped The Boys’ narrative for the better, “The Female of the Species” is another strong hour of television.
Cold Case Hammarskjöld is entertaining, even if it’s not the bombshell documentary we expected.
After some false starts, The Boys’ “Get Some” solidifies the mission statement of the show, pushes our established characters in new directions and broadens the scope of the world.
Even with a few decent set-pieces and exceptional acting from the ensemble, The Kitchen is not the adaptation we deserve.