crime
As has happened multiple times throughout Homeland’s season openers, we’re presented with what may be a bait and switch.
Brooklyn Nine-Nine continues to prove why it’s one of the best comedies currently on television with the premiere of its 7th season.
We salute Rudy Ray Moore, who had a wild idea, got his pals and like-minded folks together, wrangled some money, and went out to make a movie.
The story isn’t particularly revelatory, but the idiosyncratic humor and Zoey Deutch make Buffaloed a fun film.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.
The Outsider’s measured pace is beginning to feel like it was put in place to forcefully expand this story into 10 episodes, not just for the slow-burn effect.
Rather than through narration and a remembrance of mafia life, The Traitor dispels the myths of cosa nostra through testimony and the post-mafia life of Buscetta.
Invisible Life is an enchanting experience, one that emphasizes the power of hope in times of helplessness and the importance of love above all else.
Beyond its clear feats for being a feature debut, Les Misérables is an urgent urban masterpiece.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
Story stumbles aside, You delivers on all the hot, steamy intrigue that we came to love in the first season.
The True History of the Kelly Gang is often punishing and resistant to facile translation, but there’s no denying the merciless power that Justin Kurzel brings.
While Don’t F**k With Cats might be too much for some, with a level of grossness that’s hard to deny, there’s a seedy story that’s hard to ignore.