crime
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
Of all the crime films to emerge from the 90s, Carl Franklin’s neo-noir masterpiece One False Move stands as one of the forgotten gems.
Cinema is an incredible and invaluable tool for education, and we need it now more than ever.
The absence of parental guidance through the strategic use of antithesis allows Extracurricular to hold its characters accountable for their mistakes.
While Tiger King is comfort food for a troubling time, we must challenge ourselves to seek out more selective comfort.
Bosch is an impressively crafted ensemble show with a wealth of excellent actors that make for an impressive consistency over its six-season run.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
As we reflect on this modern phenomenon and our fear of it in film, we must be careful not to make the same errors as the media has made in covering mass shootings.
Marcus Flemmings’ new feature Palindrome eludes narrative convention just as much as it eludes thematic coherence.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.
Unfocused to the core, Capone will leave viewers with more questions than answers.
Patrick Bateman represents the horrors of addiction, hedonism, narcissism and greed – and with a dose of humour, he’s a character that remains ingrained in our pop culture landscape.
A satisfying slice of sleaze served up on celluloid, Série Noire is a deliciously good watch.
After eight stellar seasons, Showtime’s Homeland has finally come to an end. Prisoners of War…