crime
Red Rooms is hypnotic, eerie, enticing, and undeniably repulsive, a procedural with the stifling rhythms of an addiction story or a dream.
Following the events of “The Batman,” Oswald “Oz” Cobblepot is a gangster aiming to rise to the top of the criminal underworld in “The Penguin.”
Trap is a movie seemingly gift-wrapped for greatness that eventually crumbles under its own logic.
The Instigators evokes the Boston movies of yore like a Dunkin’ drinkin’ Ghost of Christmas Past.
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
The Bikeriders is a memorable addition to Jeff Nichols’ ouvre.
Limbo is a fish-out-of-water tale in a barren Outback town.
While occasionally veering into an overly complicated and opaque narrative structure, The G is a fun genre thriller with an incredible performance.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.
“The Strangler” is a strange, seductive film that paved the way for many to follow, yet never received a U.S. theatrical release…until now.
Killers of the Flower Moon is both a faithful adaptation and a masterful epic from Martin Scorsese. It is authentic, respectful, and informative, exuding the talents of those both in front of and behind the screen.