creativity
The concept of a documentary feature exploring Michael Leuni, such an eminent figure of Australian culture, was promising, but eventually disappoints.
Slowly, over 11 years and 22 feature films, not to mention some admirable TV shows sprinkled in between, Marvel has been training audiences to return to their screens again and again.
The Oscar-nominated Never Look Away shows signs of promise, but is let down by an epic scale that is never justified. Alistair Ryder reviews.
Michael Franti’s Stay Human is an inspiring documentary of pure positivity and something worth recommending to everybody right now.
Kate Nash: Underestimate the Girl is an uplifting documentary that proves that even when your circumstances change for the worst, you can rise above them and come out renewed.
Stephanie Archer reviews Creative Block, a short film that views the blocks of the mind, and shares her interview with director Nicola Rose.
Matthew Roe introduces Anarchic Cinema, the beginning of a new series focusing on the evolution of art from the obvious to the complex.
With The Devil’s Candy, provocative Australian director Sean Byrne proves he is one of the best genre filmmakers working today.
The original Alien left many questions unanswered, which upcoming prequels will address. But do we even need those questions answered?
Watching Frank recently, it occurred to me how often the creative process is shown on-screen, and how frequently this process is shown in a hackneyed, unsubtle way. Too often directors attempt to over-romanticise the writing process, and feature endless montages of their artists receiving some form of divine inspiration, as if writing was truly that exciting and easy. Admittedly, showing such a process on-screen is problematic.
In this part of Positive Psychology & Film, Laurie Agard interprets Life Is Beautiful, the inspiring and gut-wrenching Italian war film.