Costas Mandylor
Surprisingly, Saw VI seems to have learned from previous entries; with a plot of its own, it manages to be the stand out of the franchise.
With Saw V, the Saw franchise firmly waved goodbye to logic, with plot contrivances that make the film closer to sci-fi than horror.
Saw IV goes even bigger than its predecessors, but with the loss of the franchise’s main writer, the story loses much of its oomph.