comedy
The Worst Ones asks some very complex and compelling questions about the ethics of filmmaking and the emotions of young actors.
Film Inquiry spoke with writer/director Tomás Gómez Bustillo for Chronicles of a Wandering Saint!
In her final report from the 2023 SXSW Film Festival, Kristy Strouse reviews Furies, Fry Bread Face and Me and Late Night with the Devil!
The Magician’s Elephant is heartwarming and pure, and while predictable to a fault, it is a film the whole family will enjoy.
Leprechaun 3 is not a film that will be at the top of your watch list this season, yet it speaks to the continuing campy nature of the Leprechaun franchise.
The Middle Man was a happy surprise that is fun and heartfelt, tragic and funny.
SXSW Film Festival 2023, Report 1: CHRONICLES OF A WANDERING SAINT, SISTER & SISTER And RAGING GRACE
My first foray into this year’s SXSW festival is a trio of first-time feature debuts by directors from various parts of the world.
Tender and imaginative, The Pod Generation is elevated by strong performances, humor, and unique world-building.
Operation Fortune: Ruse de Guerre is not a movie we need per se, but for those enthusiasts of Guy Ritchie, it might have been just enough for them.
Silvia Mariscal spoke with writer and director Kristoffer Borgli about his latest film Sick of Myself!
It confounds and reverberates; The Lobster sings a singularly eccentric tune.
The Amazing Maurice is cute, and just fine for kids, but for adults it has a hard time living up to its own name.
She Came from the Woods takes the horror genre and turns it a bit sideways, combining nearly every trope we got in the 80’s into one film.
While Your Place or Mine finally brings these two stars together, it fails to truly reach the mark of success.
Chungking Express: the film that will remain young and beautiful until the end of time.