comedy
Colossal is a fantasy-oriented film about a kaiju monster that somehow manages to be both emotionally effective and profound.
Though Rules Don’t Apply is beautifully shot and contains a tender romance, the two stories of the film collide, making it an uneven venture.
Filmed live, and in one continuous take, Lost in London is a film that could seem gimmicky, yet succeeds due to its expert comedic timing.
In our latest beginner’s guide, we rundown director Mike Nichols, who had humble beginnings in comedy before becoming an acclaimed director.
At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.
Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.
Wasted characters, little humor, and lackluster action scenes make CHiPs a rather bland adaptation of the famous TV series.
Free Fire may be far from the best movie of the year, but you are guaranteed to have one of your most fun times at the movies when checking out Wheatley’s latest.
An independently-funded film that is a delightful homage to ’90s romantic comedies, Non-Transferable is a hopeful sign of cinema to come.
Robert Klein Still Can’t Stop His Leg is a loving insight into the world of influential but sadly unknown stand-up comedian Robert Klein.
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.
The Last Word is an easy, funny watch, with great performances from MacLaine and Seyfried, but on the whole, isn’t very substantial.
Don’t Kill It is a throwback to 1980s horror, in addition to updating some of the rather outdated tropes found in those types of films.