comedy
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.
Win It All carries mumblecore’s characteristic diversions, seemingly innocuous quirks, and has a few unexpected narrative twists.
Partly autobiographical, Counting for Thunder is a film that sometimes works, but mostly fails in its attempt to blend both drama and comedy.
Despite its poor rap of recent years, parody a rich genre with great gems. In this Beginner’s Guide we consider its history and current status.
Colossal is a fantasy-oriented film about a kaiju monster that somehow manages to be both emotionally effective and profound.
Though Rules Don’t Apply is beautifully shot and contains a tender romance, the two stories of the film collide, making it an uneven venture.
Filmed live, and in one continuous take, Lost in London is a film that could seem gimmicky, yet succeeds due to its expert comedic timing.
In our latest beginner’s guide, we rundown director Mike Nichols, who had humble beginnings in comedy before becoming an acclaimed director.
At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.
Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.
Wasted characters, little humor, and lackluster action scenes make CHiPs a rather bland adaptation of the famous TV series.
Free Fire may be far from the best movie of the year, but you are guaranteed to have one of your most fun times at the movies when checking out Wheatley’s latest.