comedy
Though appearing to be another of those aging romantic dramas, The Country Doctor is instead refreshingly heartwarming and impactful.
The unoriginal, uninspired premise of stoner comedy Ripped is partially saved by the dedication of the two lead actors.
Brigsby Bear isn’t only for the dreamers, it’s for anyone who ever stalled at pursuing a something dear to them for fear of failing.
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
The best thing about Footnotes is that it’s just 78 minutes. But there are so many other, better ways you could spend your time.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
Love at First Child offers nothing new in the romantic comedy genre, but some laughs and chemistry between the leads make it a pleasant watch.
We have the Academy to thank for bringing this warmly humorous Swedish gem to our attention – it’s one of the year’s most likeable films.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
Frank Vs. God delivers a solid thought provoking film about a man who loses everything and fights against the term “act of good”.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
Handsome has occasional moments of promise, yet it is bogged down by its shoddy story, underused characters, and failed attempts at humor.