comedy
The Wilde Wedding is host to such a large ensemble that no plot or joke lands, and sadly suffocates the talent of all involved.
It’s abundantly clear that Year By The Sea is composer Alexander Janko’s directorial debut, as its characters are underdeveloped and predictable plot-lines are lost amidst the beautiful scenery of Cape Cod.
Despite two talented leads, The House suffers from a script that doesn’t utilize their talents, ultimately becoming forgettable as a result.
Despite committed, enjoyable performances from Samuel L. Jackson and Ryan Reynolds, The Hitman’s Bodyguard is tired, cliched and overlong.
Coogan and Brydon bare their truest selves in The Trip To Spain, resulting in an emotional and bitingly honest chord that rings mellifluous with the viewer.
Lightningface is a 20 minute short film starring Oscar Isaac as his life changes drastically after being struck by lightning.
The Layover has its moments of humor, but it is bogged down by an unfocused script and overly clichéd characters.
Some of the lines in Person to Person may ring with a certain cliched timbre, but perhaps that should only be expected from a film that trades in tired New York stereotypes that are by their very nature familiar and inviting.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.
Mary Louise Parker is a versatile actor who has found success on stage, TV and in films; here is a rundown of her career so far.
Once Upon A Time In Venice is clearly a film made by cinephiles, but the scattered subplots and underdeveloped characters combine for an overall misfire.
Plotless, joyless and cash-grabbing, The Emoji Movie deserves the brunt of our wrath because it showcases everything wrong with Hollywood.
Sketch comedy challenges the audience and explores unconventional ideas; this pushes directors to bring this mindset into feature films.
In Megan Freels Johnston’s The Ice Cream Truck, sweet treats and sugary snacks are traded for bloodshed and suburban violence.
Chronically Metropolitan is a quirky romantic indie about life in New York City; though not perfect, it’s reasonably enjoyable.