comedy
Mary Louise Parker is a versatile actor who has found success on stage, TV and in films; here is a rundown of her career so far.
Once Upon A Time In Venice is clearly a film made by cinephiles, but the scattered subplots and underdeveloped characters combine for an overall misfire.
Plotless, joyless and cash-grabbing, The Emoji Movie deserves the brunt of our wrath because it showcases everything wrong with Hollywood.
Sketch comedy challenges the audience and explores unconventional ideas; this pushes directors to bring this mindset into feature films.
In Megan Freels Johnston’s The Ice Cream Truck, sweet treats and sugary snacks are traded for bloodshed and suburban violence.
Chronically Metropolitan is a quirky romantic indie about life in New York City; though not perfect, it’s reasonably enjoyable.
The Incredible Jessica James has an infectious charm to it, bolstered by Williams’ strong lead performance and a positive central message.
Matt Keeslar is a lesser-known actor that nonetheless gave some fine performances across many different genres.
We had a chance to interview Mindy Bledsoe, director of the short film Hard Broads, which is now streaming on Seed&Spark.
Although unashamedly made for the youngest audiences possible, Captain Underpants is infectiously charming to all ages.
Talya Lavie’s Zero Motivation is simultaneously funny, serious, sentimental, sarcastic, slapstick, and totally unique.
Brave New Jersey is a fictional yet charming look at the aftereffects of Orson Welles’ famous War of the Worlds broadcast on a small town.
Landline’s Gillian Robespierre & Jenny Slate understand that female characters can do unlikable things while still earning our empathy.
Kuso, though visually interesting at times, is ultimately too disgusting to recommend, and seemingly has no purpose behind it.
Although not a life changing film, let alone a particularly memorable one, Fun Mom Dinner has enough charm to keep you entertained.