comedy
My Life as a Courgette is animation at its very best, providing heart and thought-provoking ideas amidst a backdrop of eye-popping beauty.
Easy Living is an interesting and insightful character study into a self-destructive woman, who is scared of showing her true self.
Thirst Street may be deficient in the character department but it more than makes up for it with its stylishly vivid visuals.
The Tiger Hunter is a fun, yet ultimately uninspired film about the immigrant experience, reinforcing stereotypes instead of offering up anything new.
Home Again is a stale romantic comedy that feels like a waste of the talents of everybody involved, feeling boring and aimless throughout.
Second Nature is a feel good goofy date night comedy that takes a poke at gender roles and has a fun cast of characters running the show.
The Wilde Wedding is host to such a large ensemble that no plot or joke lands, and sadly suffocates the talent of all involved.
It’s abundantly clear that Year By The Sea is composer Alexander Janko’s directorial debut, as its characters are underdeveloped and predictable plot-lines are lost amidst the beautiful scenery of Cape Cod.
Despite two talented leads, The House suffers from a script that doesn’t utilize their talents, ultimately becoming forgettable as a result.
Despite committed, enjoyable performances from Samuel L. Jackson and Ryan Reynolds, The Hitman’s Bodyguard is tired, cliched and overlong.
Coogan and Brydon bare their truest selves in The Trip To Spain, resulting in an emotional and bitingly honest chord that rings mellifluous with the viewer.
Lightningface is a 20 minute short film starring Oscar Isaac as his life changes drastically after being struck by lightning.
The Layover has its moments of humor, but it is bogged down by an unfocused script and overly clichéd characters.
Some of the lines in Person to Person may ring with a certain cliched timbre, but perhaps that should only be expected from a film that trades in tired New York stereotypes that are by their very nature familiar and inviting.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.