With the help of Theron and Davis’ magnetic chemistry, Cody and Reitman’s synergy, and an intricate yet touching story about motherhood, Tully perfectly blends comedy and drama, creating a powerful, tender meditation on societal stigmas.
Kay Cannon’s directorial debut Blockers is an unabashedly raunchy comedy with its heart in all the right places, giving the teen sex comedy a nice sprucing up through big laughs, a game cast and a lean script.
It was absolutely inspiring to see so much strong female content at SXSW Conference and Festivals, and Family, the debut feature by Laura Steinel, was no exception.
While tiptoeing on the line of empowering and exploitative, Flower is an unconventional teen film for a new generation that finds its true strength in in its leading lady Zoey Deutch.
Using almost an entirely autistic cast, Keep the Change is a groundbreaking, intimate portrait that humanizes and explores a vast array of people living with Autism.
Susan Walters’ All I wish offers a minimally interesting story, but serves up some fine performances from Sharon Stone, Ellen Burstyn, Liza Lapira, Tony Goldwyn, and Gilles Marini.
Most Likely to Murder may not reinvent the wheel of holiday films, but its subversion of the genre, especially its willingness to fully indict and satirize its own protagonist, gives us ample reason to invest interest in the future of director Dan Gregor’s filmography.
The narrative debut of director Miranda Bailey, You Can Choose Your Family, is a misjudged dark comedy that earns enough goodwill through the committed performances from its ensemble.
We spoke with the Jackie van Beek & Madeleine Sami, directors, writers and stars of upcoming New Zealand comedy The Breaker Upperers, about their work together as well as Taika Waititi’s role as a producer on the film.
It’s hard to describe what Boots Riley’s debut, Sorry To Bother You, is actually about, because it is trippy, all over the place, and absolutely brilliant. You need to see it.
SXSW Review: SORRY TO BOTHER YOU: Boots Riley’s Absurdist, Existential, Surreal, Anti-Capitalist Sci-Fi Masterpiece Of A Debut
It’s hard to describe what Boots Riley’s debut, Sorry To Bother You, is actually about, because it is trippy, all over the place, and absolutely brilliant. You need to see it.