comedy
In a genre dripping with teenage iconoclasm and headbanging angst, Adventures in Public School makes at the very least for comforting viewing and offers a sweet view of respect, family and independence.
With Thunder Road, viewers witness the birth of a comic actor who could very well grow into one of the finest of this generation.
Another Wolfcop is a worthy horror comedy, with a memorable team of characters at its center.
Sorry to Bother You is the perfect film for this particular moment – a moment that feels defined by the struggles of the ordinary people against traditional structures of power – even if it isn’t a perfect film.
Ant-Man and the Wasp is an enjoyable blend of superhero action and familial comedy, with a strong central cast to make everything work well together.
The Year of Spectacular Men might spin its wheels and veer off course, but there’s still some fun to be had by these spectacular women.
Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.
Brother’s Nest is a return to form for Shane and Clayton Jacobson, their comic noir feeling like an Australian Hitchc*ck film.
Swimming with Men is a wasted opportunity for what could have been an effective character comedy in the same vein as The Full Monty.
The second season of GLOW is equal in emotional intensity to the first – reuniting its original cast and introducing some new members.
While Tag offers a servicable film for those simply wanting a fun time at the movies, the potential for something funnier and more emotionally engaging is unrealised.
Ideal Home is a heartwarming ode to acceptance and finding family in the most unlikely places.
Spidarlings is a love letter to a forgotten era of midnight movies – but in 2018, it feels less revolutionary than in their 70’s heyday.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
Tommy Wiseau and Greg Sestero are back with a new movie, and we spoke with Sestero about the process of making a new, original feature 15 years after The Room.