comedy
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
Love At First Sight does retain a predictable nature, but by the film’s end, you will want the predictability.
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
What better way to infuse a rom-com than with the unconditional and irresistible love of dogs? That’s what Puppy Love seeks to do.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
Strays is a mess of limited ideas, mined from the inebriated story idea, “What if a typical dog movie had more profanity and poop?”.
Amongst the horrors, dramas and animation, the festival never forgets to laugh.
I Like Movies manages to strum all the right cords in a truly unique celebration of cinema itself.
Few filmmakers can say they’ve made a movie as fun, free, and ultimately bittersweet as Tokyo Pop.
Safety Last!, Harold Lloyd’s most famous picture, manages to have impressive effects while also delivering delightful comedy throughout.
For better or for worse, Haunted Mansion makes for a fun spooky night on Disney+ for the family.
Barbie is the ultimate summer movie for having as much wit and wisdom as it does charm, silliness, and an abundance of pink.