comedy
In this article on film and philosphy, Lance Conley looks at the pessimistic philosphy embedded within raunchy animated comedy Sausage Party.
In part 1 of our Tokyo International Film Festival coverage, Tynan Yanaga reviews Chaotic Love Poems and Rent A Friend.
For all its superficiality, there’s a warmth to Coogan and Reilly’s central partnership in Stan & Ollie that – all stiltedness noted – deserves the faint smile it leaves you with.
A wry, bittersweet but profoundly affecting cinematic experience, Can You Ever Forgive Me? is an astonishing examination of loneliness and detachment.
Steve Coogan and Paul Rudd star in Ideal Home, a comedy about an upper middle class couple that feels out of touch, and severely outdated.
Hilarious, formally impeccable and necessarily provocative, Bodied may well be the greatest hip-hop movie ever made.
We spoke with actress Carla Gallo to discuss her latest film, Room for Rent, its unconventional path to fruition, growing up on screen and more!
After failing to get the film out of production hell for so many years, it’s no surprise The Man Who Killed Don Quixote feels world weary and cynical.
With the continuation of last week’s vibe, episode 7, “Down Like The Titanic” distributes another Shameless highlight of season 9.
In his final Film Fest 919 recap, Josh Martin delves into Jake Gyllenhaal’s latest, a challenging take on the Western and the most delightful film of the festival.
If you belong to nearly any demographic, Johnny English Strikes Again will serve as a colossal letdown, and leave you contemplating how Rowan Atkinson could enter such a slump.
If you have children who are itching for a cinema trip during the spooky season, there have been much worse offerings than Goosebumps 2 in the past.
Night School is unforgiveably bland. It’s difficult to care about anything that happens, because the jokes are so flat, and the characters so dull.
The Old Man and the Gun is a love letter to many things: the 1970s/early ’80s, the aging outlaw trope so often seen in Westerns, and to film itself.
Better Start Running feels like a cliched indie – fitted head to toe with an ever-present oddball ensemble cast – taking to the road for an adventure.