comedy
Whereas kids might dismiss Ralph Breaks the Internet’s flaws for an uplifting swirl of inconsequential sugary adventure, adults might be hard-pressed in their quest to find nutritional value.
Australian comedy Book Week provides an intriguing look at a man in peril and examines the place of literature in a contemporary context.
The New Romantic is a classic example of a normal, maladjusted person trying to be everything they’re not by pushing themselves outside of their comfort zone.
Was The Grinch necessary? Absolutely not. Sure, there’s some filler. Sure, there’s some cringe. But the quantity of them was not enough to impinge.
If you don’t care about Orson Welles, The Other Side of the Winf does not stand up well enough on its own to be worth your time.
Judging by its comedy, Season 13 is by a significant margin the weakest season of It’s Always Sunny In Philadelphia, however, in it’s politics, it’s more important than it’s ever been.
With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.
Given its clear desire to say something urgent about urgent things – given, that is, its sincerity – it’s hard to completely dismiss Reach.
If there is one film you see this holiday season, make it Lez Bomb. It’s a modern and hilarious take on coming out, during one of the most hectic and family oriented holidays of the year.
In part three of our Tokyo International Film Festival coverage, we discuss a retrospective on the comedy classic Some Like it Hot.
In this article on film and philosphy, Lance Conley looks at the pessimistic philosphy embedded within raunchy animated comedy Sausage Party.
In part 1 of our Tokyo International Film Festival coverage, Tynan Yanaga reviews Chaotic Love Poems and Rent A Friend.
For all its superficiality, there’s a warmth to Coogan and Reilly’s central partnership in Stan & Ollie that – all stiltedness noted – deserves the faint smile it leaves you with.
A wry, bittersweet but profoundly affecting cinematic experience, Can You Ever Forgive Me? is an astonishing examination of loneliness and detachment.
Steve Coogan and Paul Rudd star in Ideal Home, a comedy about an upper middle class couple that feels out of touch, and severely outdated.