comedy
The Upside is occasionally funny and charming, but mostly wastes the talent of those involved, becoming a lackluster remake of the French film.
Sullivan’s Travels may not quickly come to mind when watching Monsters, Inc., but after examining both films, there is a connection in not only their themes but their structures as well.
Already considered by many as the worst film of all time, Holmes & Watson is likely to make even the least demanding cinema-goers feel as if they’ve had their intelligence insulted.
Individually, scene to scene, Second Act has its highlights. But as a whole, the film simultaneously works and doesn’t work – the epitome of a mixed bag.
A happy accident spit out the low-budget Hollywood machine, Teen Witch is compelling in a way that no individual person could pull off on their own.
The Merry Wives of Windsor can be enjoyed by all whether you are versed or have no knowledge of the works of Shakespeare.
Within the past year, Netflix has released a slew of Christmas movies to their platform; we take a look at this rising trend in streaming.
If the Fantastic Beasts films are going to recapture the magic of Harry Potter, they need to focus on where their true magic lies, and that might be with one man named Jacob Kowalski.
The Leisure Seeker isn’t a bad film, but its sluggish pace, inexplicable changes between the film and the book, and some corny dialogue keep it from being great.
As if to reject beauty’s notoriously food-phobic reputation once and for all, Dumplin’ is pure visual comfort food.
The Holiday is expertly crafted wish fulfillment of the highest level, exhibiting the very best of what can be gleaned from such an unabashedly feel-good genre.
Home Alone 2 does offer holiday charm, cheekiness, and sass that makes you love your family even when you wish you never belonged with them on Christmas Eve.
The charisma of Macaulay Culkin matched with the intelligent script by John Hughes makes Home Alone the definitive holiday story that it is, appealing to all ages.
Swiped is a satire that misses the mark, and comes across as a rather dated look at relationships and the differences between men and women.
Adam McKay’s Vice is at its best when it mixes information with entertainment and leaves out all of the preaching.