comedy
Hitting both high and low notes, Mean Girls retains the core heart of the original, all while modernizing itself for a new generation.
Dad Jokes leaves us excited for Welch’s future in comedy, and the potential for a new chapter in her comedic journey.
Film Inquiry spoke with writer/director Angeline Walsh for her web series The Coroner’s Assistant!
While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.
Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
Benefitting from a strong cast (and an even wiser script) Dumb Money adds a touch of wit and wildness to the tired biographical drama format we’ve seen.
Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.
The artfulness, creativity, and uniqueness of Our Flag Means Death Season 2, combined with the darling charm and wit, will win audiences over immedately.
Poolman might not be for everyone, but for those of us who want to see a Chinatown-loving himbo finding himself in his own mystery, this is a worthy comedy.
Bridget Jones’s Diary is a classic, yet refreshing, take on the rom-com, showing the imperfectly wonderful side of romance in your thirties.
Saltburn will be divisive for many, but derivative for more.
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.