comedy
While at times a frustrating watch, The Cannibal Club is an unusual treat for horror fans and a fascinating piece of filmmaking from Guto Parente.
Knife + Heart constantly walks the very fine line between a comedy and a true horror. It at times excels at both, but rarely infuses the two into a coherent film.
A Madea Family Funeral is a message we need to hear, but sadly, the Hallelujah’s don’t come until the credits.
SXSW 2019 featured some excellent horror films, like Us and Little Monsters, but also lesser ones like Tales from the Lodge and Tone-Deaf.
We were able to speak with Gilles Lellouche, director of the sports comedy about synchronized swimming called Sink or Swim.
Just when I thought coming-of-age fatigue is about to kick in, Booksmart overwhelms with its confident energy and wisdom.
The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.
The Day Shall Come is so cartoonish that it just doesn’t feel believable or possible, let alone historical fact.
Our quest to find the greatest Simpsons episode continues, with “A Streetcar Named Marge,” a parody of A Streetcar Named Desire.
A pleasant surprise, Long Shot is an absolute must-see if you are a fan of Charlize Theron and Seth Rogen.
In our second review from SXSW 2019, Hazem Fahmy reviews The Beach Bum – a fantasy with no real-life application.
In the second of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s “Homer the Heretic”.
A movie mirror-image to last year’s First Reformed, Woman at War is a strikingly beautiful story of one woman’s desire to do good.
In the first of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s Last Exit to Springfield.
Films about serious illness have a tightrope to walk, to find the right balance for…