comedy
We were able to speak with Justin O’Neal Miller, writer and director of the comedy short about American suburbia called Peggy.
With virtually no plot and very little character development, Tyrel works best as an examination of masculinity and race.
Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.
Liam O Mochain, the writer director and star of Lost & Found, talks about the five year process of making his portmanteau film.
In this latest series of The Simpsons Greatest Hits, we review “Lisa’s Substitute,” a well-acted, well-written episode with a perfect finale.
Behind the grief, behind BOB, lies the simple reality that Twin Peaks pushes: that the dream of suburbia and happiness that America sells may be a lie.
Slut in a Good Way is an unapologetic celebration of first love, first heartbreak, and everything else that comes with being a teenage girl.
The first episode of What We Do In The Shadows is a macabre romp that remarkably adds and expounds upon the comedic elements of its filmic progenitor.
In a search to find the best The Simpsons episode, we review Season 7, episode 2 called “Radioactive Man.”
Stanley Donen is a testament to the fact hopes and dreams are necessary because sometimes they do come true.
Spring Breakers may be much more profound of a film than initially thought, lucidly expressing our fascination with money and violence.
Alex Lines reports back from Alliance Française French Film Festival 2019 where he saw Olivier Assayas’ Non-Fiction – an increasingly rare type of drama.
The Browsing Effect is a movie that may appear shallow at first glance, but gradually reveals more hidden depths when you make the effort to look in further.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.
In this latest series of The Simpsons Greatest Hits, we discuss the episode Bart Sells His Soul, a darker episode for the character.