comedy
Top End Wedding is filled with all the romcom tropes and cliches you expect, but Wayne Blair’s film manages to sell this spin on the formula.
Although it’s not exactly faultless, Someone Great adequately captures themes of lost love and the power of friendship.
Family doesn’t break new ground in the oddball, unexpected bonding comedy space, but it masters the art with a precise wit and efficiency that keeps it feeling fresh.
Donbass is the darkest of comedies, showing how wartime mania can fundamentally transform a nation overnight.
In this latest episode of The Simpsons greatest hits, we look at the early Halloween special Treehouse of Horror II.
The Beach Bum is a love letter to the unlikely beauty found in the gutters of Florida, the artsy stoner comedy only Harmony Korine could concoct.
Sweet, charming, and beautifully unique, Laika’s latest film Missing Link deserves only the highest praise.
Music and Lyrics might not venture too far into uncharted waters, but with some solid voices, and plenty of hummable beats, it’s a crowd-pleaser that takes it a step further with its heart.
Sonoya Mizuno is part of a generation of actors finally receiving interesting parts due to Hollywood’s growing celebration of diversity on screen.
Unicorn Store, Brie Larson’s directorial debut, marks the beginning of a new chapter in the multi-hyphenate’s career.
We were able to speak with Justin O’Neal Miller, writer and director of the comedy short about American suburbia called Peggy.
With virtually no plot and very little character development, Tyrel works best as an examination of masculinity and race.
Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.
Liam O Mochain, the writer director and star of Lost & Found, talks about the five year process of making his portmanteau film.
In this latest series of The Simpsons Greatest Hits, we review “Lisa’s Substitute,” a well-acted, well-written episode with a perfect finale.