comedy
We were able to talk to Matt Ratner, director of the comedy Standing Up, Falling Down, featuring the iconic Billy Crystal.
Even if Non-Fiction doesn’t end up being a revelatory film in Assayas’ catalogue, it’s never uncompelling.
Avengers: Endgame was three hours of time-altering fights, blood, promises made, promises kept, and death – all culminating in a spectacular end to a decade’s worth of beloved movies.
Despite the great performances by the three leads, Little suffers from a predictable plot and basic jokes.
There’s a refreshing nature in Wild Nights With Emily to how Madeleine Olnek gives Dickinson a certain dignity while embracing her truths that were buried in her work.
Top End Wedding is filled with all the romcom tropes and cliches you expect, but Wayne Blair’s film manages to sell this spin on the formula.
Although it’s not exactly faultless, Someone Great adequately captures themes of lost love and the power of friendship.
Family doesn’t break new ground in the oddball, unexpected bonding comedy space, but it masters the art with a precise wit and efficiency that keeps it feeling fresh.
Donbass is the darkest of comedies, showing how wartime mania can fundamentally transform a nation overnight.
In this latest episode of The Simpsons greatest hits, we look at the early Halloween special Treehouse of Horror II.
The Beach Bum is a love letter to the unlikely beauty found in the gutters of Florida, the artsy stoner comedy only Harmony Korine could concoct.
Sweet, charming, and beautifully unique, Laika’s latest film Missing Link deserves only the highest praise.
Sonoya Mizuno is part of a generation of actors finally receiving interesting parts due to Hollywood’s growing celebration of diversity on screen.
Unicorn Store, Brie Larson’s directorial debut, marks the beginning of a new chapter in the multi-hyphenate’s career.