comedy
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
Creator Victor Fresco’s Santa Clarita Diet still remains intoxicatingly glutinous and ever so delightful with its gimmicky prowess.
There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.
Wine Country does what’s intended: there’s laughter, an abundance of touching moments, and an important contemplation on the bonds of friendships.
In our final Cannes roundup, the team reviews some of the festival’s hotly anticipated films, including the latest by Quentin Tarantino and Xavier Dolan.
In this latest episode of The Simpsons greatest hits, we look at an early prequel episode introducing the love story of Homer and Marge in “The WayWe Was”.
On May 17, Phoebe Waller-Bridge’s sarcastic anti-hero, Fleabag returns to the screen one last time,…
While Beats isn’t perfect, the cast is engaging and Welsh’s visual style is lively without falling into nightclub-style movie shot cliches.
Long Shot is a tight, funny, and warm comedy with a ton of heart and two fantastic performances at its center.
We had to opportunity to sit down with the director of Good Posture, Dolly Wells, as well as the film’s leading ladies, Emily Mortimer and Grace Van Patten.
In this round-up of Tribeca Film Festival 2019 reviews, Stephanie Archer reviews four more narrative features.