comedy
Jeffrey fully embraces the AIDS contradiction of 1995, always teetering on the edge of potentially borrowed time.
In this latest episode of The Simpsons Greatest Hits, we look at the multi guest starring 1992 baseball episode Homer at the Bat.
9 to 5 has laughs from beginning to end, a catchy theme song, clever editing techniques, and inspirational characters who prove that we’re better united than divided.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
A big crowd-pleasing comedy that truly delivers, The Trouble With You is simply a very funny film with a very large heart.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.
Wine Country does what’s intended: there’s laughter, an abundance of touching moments, and an important contemplation on the bonds of friendships.
In our final Cannes roundup, the team reviews some of the festival’s hotly anticipated films, including the latest by Quentin Tarantino and Xavier Dolan.