Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.
After some false starts, The Boys’ “Get Some” solidifies the mission statement of the show, pushes our established characters in new directions and broadens the scope of the world.
Otherhood might not be the worst thing Netflix has released since it started producing original films, but it lacks the artistic depth and ambition a story like this deserves.
Two new shorts from director Nicola Rose, Into the Land of Moonstones and Gabrielle, tell us that it is important to remember that the sky is always blue.
Ode to Joy doesn’t really work as either an efficient comedy or drama (or even a bit of both), with the familiar beats and tropes lacking in any real thought.
Alex Lines spoke with Bryan Brown about Palm Beach, his personal connection to the secluded slice of paradise, and what Rachel Ward brought to the film as a director.