comedy
Where’d You Go, Bernadette feels remarkably lacking in passion from those involved, save Cate Blanchett.
It’s absurd and outrageous, and although sometimes that doesn’t work in favor of the jokes, Good Boys triumphs as a sweet coming-of-age story.
Coming off the heels of an episode that re-shaped The Boys’ narrative for the better, “The Female of the Species” is another strong hour of television.
Confused about its target audience, Angry Birds 2 fails to deliver the jokes or storyline bringing lttle more than a playlist and a star studded cast.
The Day Shall Come is a dark, biting commentary on systemic racism of law enforcement and the weird Kafkaesque nature of the War on Terror.
Tarantino isn’t afraid to reshape and play with the truth, making Once Upon a Time in Hollywood one of his boldest and bravest to date.
Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.
After some false starts, The Boys’ “Get Some” solidifies the mission statement of the show, pushes our established characters in new directions and broadens the scope of the world.
Otherhood might not be the worst thing Netflix has released since it started producing original films, but it lacks the artistic depth and ambition a story like this deserves.
Writer, producer and director Nicola Rose spoke to Stephanie Archer about her new shorts, Gabrielle and Into the Land of Moonstones.
Stephanie Archer spoke with writer/director Mike Doyle about his film Sell By, ice cream trucks and his success with diversity.
Captivating, heart warming and relatable, Sell By is the rom-com you didn’t realize was missing – and you will be thankful you found.
Two new shorts from director Nicola Rose, Into the Land of Moonstones and Gabrielle, tell us that it is important to remember that the sky is always blue.
So while we did get some leads on our ongoing plot threads, The Boys continues to wallow in its worst tendencies.