comedy
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.
Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.
Mirroring the problematic characters it depicts, Big Mouth is a bit of a disjointed mess, hilarious at times and problematic at others.
Living with Yourself is as much as about the actual character living with another version of himself as much as it is about our own acceptance of the lives we live.
Coming in at just over 90 minutes with a solid pace throughout, Porno is very funny, very gross, and full of heart.
Jay and Silent Bob Reboot, is a heartfelt, thoughtful film that takes a clever jab at Hollywood’s dwindling originality, while maintaining its own level of originality.
Stylish, savage and supremely funny, First Love is the shock of adrenaline the action genre needs and deserves.
This guide will help you discover some spooky (but not too scary) movies to enjoy as we get closer to Halloween. Happy haunting!
Between Two Ferns: The Movie is a unique type of performance with unique humour crafts a unique type of film.
In this delightfully strange suburban comedy by sketch veterans Jocelyn DeBoer and Dawn Luebbe, adults…
Ever since its Palme d’Or winning debut at Cannes, Parasite has been accumulating buzz like…
if Abominable is any indication that Dreamworks is eager to reinvent their brand, bright things could be ahead for this powerhouse studio.
A coming-of-age film which strives for irreverent authenticity, Our Ladies ends up clunky, a little cringey and uninspired.
Velocipaster would have worked better as a short film. As is, it pulls itself into too many directions with random plot lines.
Prarthana Mohan’s coming-of-age dramedy The MisEducation of Bindu arranges Grade-A talent, on-screen and behind-the-screen.