comedy
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
In his latest report from Monster Fest 2019, Alex Lines reviews the 1994 restored Tammy and the T-Rex and directorial debut Come to Daddy.
An enjoyable experience with memorable moments, Feast of the Seven Fishes is a heartwarming display of what Christmas means to Italian families.
Schitt’s Creek is one of the best and brightest comedy shows of this decade – stop acting like a disgruntled pelican and watch it!
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
The world of filmmaking seems simple enough from the view of an audience, while Twitter…
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
Suleiman’s It Must Be Heaven balances wit and amusement with a melancholic, maybe even unfulfilled, sense of belonging.
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
On Becoming a God in Central Florida reminds us that even though money is one of the most fundamental things in this life, it can also be a very venomous dagger that distorts your worldview.
Steven Soderbergh is back with The Laundromat, a splashy, star-studded look at the world of obscene wealth and financial wrong-doing.
In his latest report from Film Fest 919, Josh Martin reviews Jojo Rabbit, Motherless Brooklyn and The Report.
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.
Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.