comedy
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
Silicon Valley’s season 6 got the perfect ending, cementing it as one of the most impactful and highly relevant shows about the technological world.
Netflix is again spreading Christmas cheer in cringeworthy fashion with another festive addition to their platform: The Knight Before Christmas.
Sadly, Playmobil The Movie merely serves as a reminder of how studios forcing a film around a product didn’t always make for the greatest of entertainment.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.
Blue has a lot of heart, and being based on true events, never sugarcoats the reality of suicide ideation but it doesn’t glorify it either.
Released in 1944, Vincente Minnelli’s charming, evergreen musical Meet Me In St. Louis once accompanied the country’s drudging attachment to World War II.
Ahead of Standing Up for Sunny’s limited theatrical release, Alex Lines spoke with RJ Mitte about his starring role in the film, his relationship with stand-up comedy, and what he’s currently gaming.
While it doesn’t push any boundries, Dollface features solid casting, creativity and wit, and enough guest stars to last multiple seasons.
There is not anything inherently wrong about Playing with Fire, you won’t be happy with the time you’ve spent in the theater.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
Though plot-wise Atypical is somewhat formulaic and uses many tropes from the drama/comedy genre, its utilization and handling of these make it a step up from many shows of the same variety.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.