comedy
While it doesn’t push any boundries, Dollface features solid casting, creativity and wit, and enough guest stars to last multiple seasons.
There is not anything inherently wrong about Playing with Fire, you won’t be happy with the time you’ve spent in the theater.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
Though plot-wise Atypical is somewhat formulaic and uses many tropes from the drama/comedy genre, its utilization and handling of these make it a step up from many shows of the same variety.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
In his latest report from Monster Fest 2019, Alex Lines reviews the 1994 restored Tammy and the T-Rex and directorial debut Come to Daddy.
An enjoyable experience with memorable moments, Feast of the Seven Fishes is a heartwarming display of what Christmas means to Italian families.
Schitt’s Creek is one of the best and brightest comedy shows of this decade – stop acting like a disgruntled pelican and watch it!
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.