comedy
With the series now concluded, if there’s one thing that The Good Place has taught us is that we shouldn’t give up on trying to be better.
Despite some stumbles and clumsy writing, the first season of AJ and the Queen is a heartwarming, heartbreaking delight that lets you ride out every emotion.
In the end, BoJack Horseman is a show about growth, and Season 6 proved that the series evolved along with its characters.
In her latest report from the 2020 Sundance Film Festival, Janet Lee reviews The Mountains Are A Dream That Calls to Me and Save Yourself!
Dolittle is what happens when you take a story with potential but fail to make it interesting or entertaining.
Whether it’s about Star Wars or politics, What’s Your Ailment is an escape, and one that’s quietly revolutionary.
While the performances, production, and humor remain top-notch, Sex Education season two is a regressive step compared to its revolutionary first season.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
Like A Boss may not be the best comedy of the new decade, but it is unquestionably an entertaining film that is worth the watch.
Featuring a solid turn from Justin Long, The Wave is a delightfully different drug comedy.
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
Emily Wheeler delves into the hot topic of what exactly makes something a film – here using the example of Hannah Gadsby’s Netflix special Nanette.
Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.
John Mulaney and crew have deftly crafted a funny look at being a kid, silly enough to be likable while endearing itself to our nostalgia for childish things.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.