comedy
Downhill skews and scraps the richness of its predecessor and replaces it with dragging drama and cringy comedy.
In spite of some of its trip-ups, it’s hard to find something so genuine in its portrayal of the prevalent anger and worry of these times.
Pivoting from steely resolve to emotional profundity, the brilliant evolution in its final moments cements The Whistlers as an unconventionally thoughtful experience.
In its second episode, Zoey’s Extraordinary Playlist shows no signs of slowing down and continues to not only entertain, but firmly pull at the heartstrings as well.
Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.
Unfortunately, Billy Crystal and Ben Schwartz aren’t enough to elevate Standing Up, Falling Down to success.
Kristy Strouse was able to catch a couple Slamdance 2020 films, Big Fur and Tahara, and both were wildly different, but equally compelling.
Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.
The Personal History of David Copperfield is a truly sincere retelling of Dickens’ story, one that taps into a new contemporary edge and presents itself in a distinctly cinematic fashion.
Brooklyn Nine-Nine continues to prove why it’s one of the best comedies currently on television with the premiere of its 7th season.
The story isn’t particularly revelatory, but the idiosyncratic humor and Zoey Deutch make Buffaloed a fun film.
A lightweight premise with heavyweight emotions, Shoot to Marry lets you ride shotgun on a highly entertaining journey of modern romance.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.