comedy
Fisherman’s Friends eagerly invites its audience in and provides a worthwhile and heartwarming story that will have you humming along.
Every moment of Homewrecker, crazy or scary or just plain weird, is played with a lightness that makes it a joy to watch.
A Girl from a Box is a light-hearted short that manages to delve deep into modern relationships with a funny and delicate touch.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
The performances, writing, direction, and overall energy remain superb, further showing a series that is as confident as it is bold.
Featuring a strong performance by Bill Nighy and not a whole lot else, there isn’t much in Sometimes Always Never to make this film stand out.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
Betty is a perfect summer binge that will empower you to go pick up a skateboard and skate your way to the city with a group of friends.
With its diverse cast, well fleshed-out characters, and stylistic choices, Go Fish is a must-watch.
While it attempts to be timely and relevant, throwing jabs at a questionable leader, it leans on cheap humor and shallow narrative constructions.
Luke Parker spoke with producers and stars of Mighty Oak, Carlos And Alexa PenaVega, the famed couple who know a thing or two about being child actors.
The final installment of the wonderfully light The Trip series has the same offerings fans can expect, with lots of new favorable additions.
Musanna Ahmed spoke with director Steve Markle about his film Shoot to Marry and why this documentary was more challenging to put together than his previous one.
Despite the awkward execution, pacing, and acting, Turnover wonderfully underlines real friendship and the perseverance of the human spirit.
The King of Staten Island is, like all Apatow films, overlong and unfocused. But at the heart lies a surprisingly effective character study