comedy
Racism is not — and has never been, I might add — a laughing matter. But it doesn’t mean that addressing it using comedy is an impossible thing to do.
Film Inquiry recently spoke with former Disney star David Henrie about his feature directorial debut, This is the Year.
Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
Overall, Blood Vessel isn’t going to change horror forever, but it is entertaining, especially the first hour.
While Uncle Peckerhead kind of falls apart at the end with too many twists, the journey is worth taking despite its destination.
With a memorable dual role from Seth Rogen, An American Pickle is intentionally illogical, tonally wacky, and surprisingly personal.
In all its easygoing, light entertainment, Whose Line is ideal quarantine comfort food.
Before/During/After blends a journey of self-discovery with an examination of marriage from start to the unexpected end.
I Used to Go Here is about far more than one could have hoped and imagined with a pleasant amount of consideration given to all its characters.
Spinster is a relatable journey from recently broken up single to content and confident, yet still single.
It is a fun zom-com, but if you aren’t desperately seeking out for a lighthearted zombie film, then it’s maybe not the first film you would come across.
Made in Italy is a fine film to cozy up to, as long as you can overlook the awkwardness and lack of narrative development it presents at times to audiences.
If there’s anyone who can turn something mundane into something magical, it’s director and writer…
Life is Easy stands apart in the comedy landscape because every important issue is handled with respect, while finding comedy that never demeans.