comedy
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.
If you’re feeling nostalgic for early oughts movies like She’s All That, then Latter Days from C. Jay Cox is for you.
There is a cathartic experience Shithouse lends to its audience, a character study not so much in the characters themselves but character of emotions.
In this Away From the Hype, Sean Fallon takes a look back at last year’s Cats.
Eternal Beauty is nonetheless an enjoyable film with admirable intentions, elevated by the sensitive work of Hawkins and her supporting cast.
Anchored by Katherine Langford in her best performance yet, Spontaneous will turn heads, churn hearts, and best-case scenario, blow you away.
The Perfect Wedding is what you would get if Hallmark decided to make a gay Christmas movie, and there’s absolutely nothing wrong with that.
Film Inquiry’s Amanda Mazzillo takes a look back at the memorable career and essential films of actor Kirsten Dunst.
Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.
What Pen15 has done is pave the way for more nuanced Asian or Asian-American-centered stories to be normalized onscreen.
As a lighthearted take on the end of the world, Save Yourselves! is an enjoyable distraction.
The series Cobra Kai falls in the category of doing nostalgia right, combining both elemnts of the films of the 1980s while also remaining fresh.
We Bare Bears: The Movie builds a fast-paced, fun world for a multitude of generations.
Reteaming with star Mads Mikkelsen, Thomas Vinterberg’s Another Round probes and explicates the psychological toll liquor can bear on us.
Feels Good Man should be required viewing, providing an excoriating insight into the rise of the alt-right and the underlying issues that propelled it.