comedy
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
If you’re going to watch this one, you might as well marathon the series with some buddies online while imbibing the adult beverage of your choice.
The Climb is an exciting and robust debut from Michael Angelo Covino.
Despite this film’s boundless originality, one is left with more of a sense of respect for what was attempted than of enjoyment of what resulted.
Angelique Sabrina White and Jack Shulruff both spoke exclusively with Film Inquiry’s Jim Dixon about their latest film Roommate Wanted.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
Borat 2 sheds portions of the subtlety seen in the first film in a necessary plea to fully understand the harm of our current administration.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
Mainstream hardly qualifies as a satisfactory, much less intelligent response to the media-saturated simulacra it lounges very comfortably within.
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
Stephanie Archer shares her comedy shorts coverage, with four reviews from the Ridgefield International Film Festival.
Definition Please allows viewers to transcend the boundaries of culture and see themselves in the characters and in their emotions.
Attack The Block from Joe Cornish remains a rare gem that challenges the audience just as much as it entertains.
Alex Lines had the chance to talk with Rams director Jeremy Sims about adapting the Icelandic drama.