comedy
Despite its immense charm in its animation, music and characters, there are vital story elements in Arlo the Alligator Boy that are lacking.
John Calucci and Brandon LaGanke’s 2020 comedy Drunk Bus is unconventional, funny, and poignant from start to finish.
The Man in the Hat is a whimsical and playful film told through the mostly dialogue-free journey of a man played wonderfully by Ciarán Hinds.
RK/RKAY is a highly innovative and well-crafted film that demonstrates Rajat Kapoor’s creativity, intellect, and mastery.
The Paper Tigers is an enjoyable action comedy exploring the different ways people change over time and the importance of protecting your family, be it blood or bond.
Owen Butler takes a look at the new Criterion Collection release of Amy Heckerling’s 1982 classic Fast Times at Ridgemont High.
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
In the latest Queerly Ever After, the focus is on My Big Gay Italian Wedding (2018), a gay rom-com set in the Italian countryside.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
15 Things You Didn’t Know About Bigfoot (#1 Will Blow Your Mind) is a mockumentary satire exploring clickbait and cryptozoology in equal measure.
A detailed review of Olivier Assayas 1996 film Irma Vep the Criterion edition that includes audio, video, and special features.
Lead with strong performances, We Broke Up is a welcome twist on the traditional rom-com challenging audience assumptions.
Say Your Prayers is a thoughtful and humorous exploration of morality, religion, and the strength of individual people.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.
Even the successes can not push the film beyond one of its biggest flaws – it seems to be in a constant battle with itself on what it wants to be.