comedy
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.
Film Inquiry soke with director Sook-Yin Lee really for the TIFF film Paying For it.
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.
WE’RE NOT MARRIED? Interview With Star Danielle Larracuente and Writer/Executive Producer Rae Lashea
Film Inquiry spoke with Danielle Larracuente and Rae Lashea for the film We’re Not Married!
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
I’ll Be Right There showcases family drama and how, within that drama, there can be something to laugh and feel good about.
The Becomers politely reminds us that being a human is fundamentally weird–– and yes, being a human in 2020 was especially weird.
Saturday Night is the story of young producer Lorne Michaels trying desperately to keep his new live TV show on the rails, 90 minutes to the premiere.
“Greedy People” follows two bumbling cops who accidentally murder a rich civilian, finding themselves in the crosshairs of foes that wanted to do so first.
The Instigators evokes the Boston movies of yore like a Dunkin’ drinkin’ Ghost of Christmas Past.
Despite its issues, I find the movie an uncomfortably entrancing tale of desire, one that I will continue to return to for years to come.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.