comedy
Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.
Jungle Cruise is far from cringe or embarrassment, and sure, it’s never actively terrible. But the bar shouldn’t be set this low.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
Based on Hannelore Cayre’s novel, Jean-Paul Salomé’s La Daronne – Mama Weed in the U.S. – is a dark comedy about a translator-turned-queenpin.
Long Story Short is a pleasing romantic comedy with charming performances and a modern screwball tone.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
Physical never loses sight of what it does best: exploring Sheila’s inner journey in a way that is both entertaining and compelling.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
Astonishingly, Feel Good Season 2 gets darker and more uncomfortable without abandoning its humorous reprieves.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
Paul Negoescu’s Two Lottery has a funny enough premise with a cast that knows how to play to one another’s strengths.