comedy
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
You’ll definitely laugh, and you might cry, too; whatever the case may be, you’re guaranteed to be moved by Trier’s empathetic storytelling.
Kristy Strouse gives us her final report from this year’s Toronto International Film Festival with her last four film reviews.
Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.
With Kristy Strouse’s next report she covers Silent Land, Encounter and Dug Dug!
It Takes Three is an interesting update to the classic teen romantic comedy that finds its strength by diving deep inside every character.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
Energetic and creative, no matter how you quantify it, Beyond the Infinite Two Minutes is a whole lot of fun.
Rough around the edges, yet an extremely engrossing character study, Danny. Legend. God. acts as a relevant cautionary tale of an unchecked ego.
The Suicide Squad is a magnificent blend of gore, heart, and humor that engages its audience instantly with strong performances, and breathtaking visuals.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
The film flounders in its overly long crawl but makes up for it in a repulsive final twist.
Naked Singularity tries to connect the legal and sci-fi elements of its story but ends up not quite capturing either aspect of the film.
It’s not a perfect specimen in filmmaking, but My Sassy Girl is an imperfect exercise in romantic storytelling that can’t help but win you over.