comedy
Despite its excessive runtime and generally meeting expectations, The Bubble delivers an entertaining venture, and an easy breezy viewing experience.
Good editing or not, Corwin’s impressive, ambitious work in Don’t Look Up is at least highly expressionistic and motivated.
While the focus and ingenuity lessen as the underdog formula takes priority, the talented cast and their chemistry vitalize the absurdity.
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
In the latest report from SXSW 2022, Kevin L. Lee reviews two supernatural features: Jethica and The Cellar!
I Love My Dad is saddled with a competent, well-intentioned film that works better when being discussed than being watched.
SXSW is now officially wrapped! Here in Kristy Strouse’s final report, we take a look at The Man Who Fell to Earth and two short films!
For her third report from the 2022 SXSW Film Festival, Kristy Strouse covers Spin Me Round, The Prank, and The Cow!
While the film does linger at times, underutilizing a few characters along the way, Fresh is a welcomed addition to the world of horror.
With her second report from this year’s SXSW Kristy Strouse covers A Vanishing Fog, Soft & Quiet and The Locust!
It may not be the best horror film around, but Leprechaun 2 is sure to entertain and enrich your St. Patrick’s Day festivities!
In her first report from SXSW 2022 festival, Kristy Strouse discusses two horror-comedies!
I dare anyone to watch the ending of The Iron Giant and test to see if their eyes stay dry. I know I wasn’t able to.
If you can go along with all its winking and ribbing of rock culture, there’s enough self-deprecating, decapitating humor for a bloody fun meta-horror.