comedy
A mash-up of sci-fi, humor, and peculiarities, Repo Man is, if nothing else, one of a kind and a cult classic worthy of it’s following.
Like in social media, everything in Not Okay is a hollow passing glance as the movie keeps scrolling and clicking along.
Flux Gourmet is a movie wholly dependent on making sound editing and cinematography do all the work and they can’t quite get there.
By time-traveling Beavis and Butthead to the future, it forces the cultures of past and present to have to confront each other’s stubbornness.
While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.
Brian and Charles feel like such a British invention; however, its themes and its heart are universal and large.
We’re back! This time Kristy and Jake discuss What’s up Doc? & My Cousin Vinny!
With only eight episodes, most a half-hour, The Bear is a funny, tense, and riveting binge.
With her second report, Kristy Strouse covers Cherry and Next Exit!
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
In Sophie Hyde’s Good Luck To You, Leo Grande, the stigma surrounding sexuality and age are examined and pushed.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.
Goodbye, Petruska navigates the turbulent experience of challenging reality with ambition to deliver something one can be truly proud of.
The Bad Guys is a good time for its slick style, solid characters, and stealing from the best heist films.