comedy
Violent Night is a worthy addition to the Christmas action-comedy lineup, but its sizable helping of blood and gore isn’t enough to make it truly stand out.
An impressively designed, luminous jungle and an emotional story about parenting and legacy allow Strange World to blossom as a strong entry for Disney.
A Gaza Weekend is a timely parable that extends an open invitation to empathise with the “other”.
This time on the Blindspots Podcast, it’s a special Thanksgiving duo!
Addams Family Values delivers not only a new member to the family but also brings the Addamses into a broader world beyond the confines of their mansion.
While Wednesday is not without its flaws, this young adult rendition of the Addams Family eldest is both entertaining and intriguing.
The Menu is a masterfully dark comedy severed extra vicious and deviously delicious.
While the plot of the film is formulaic in structure, The Addams Family finds its success in the culmination of all its parts.
My Neighbour Adolf had within its DNA the potential for something good, but alas an inability to strike a consistent tone means the talents of its stars.
Something in the Dirt is proof that massive amounts of ingenuity and invention can still be found in the movies…that is, if one knows where to look.
Hocus Pocus 2 is like pulling out that year-old candy from last Halloween and being mildly surprised it doesn’t taste that bad.
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
With a frightfully fun cast, a tight script, and a thematically relevant approach to its violence, Bodies Bodies Bodies is great slasher fun.
Slayers is an entertaining enough horror comedy with some standout performances, but the film’s satire and themes lose some of its charm.