comedy-drama
Saturday Night is the story of young producer Lorne Michaels trying desperately to keep his new live TV show on the rails, 90 minutes to the premiere.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Black Bear goes to such lengths to get across a mundane idea that even its lack of meaning is forgivable in light of its wild viewing experience.
The Twentieth Century proves that contemporary cinema still has an appetite for sweeping portions of unparalleled imagination and humor.
The King of Staten Island is, like all Apatow films, overlong and unfocused. But at the heart lies a surprisingly effective character study