comedy
Film Inquiry spoke with writer/director Kevin Lee and his star Angela Wong Carbone for the short film Aly.
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
Here’s an ice-cold take: movies nowadays are too damn long. Obviously, this is all relative;…
Kicking off this year’s Slamdance coverage, we’re looking at two different styles of comedy in “Lockjaw” and “Portal to Hell.”
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Love Hurts is still worth a watch, if only for Quan’s tour-de-force performance.
At its best River uses the broad ensemble comedy of Japan in ways that evoke the best ensemble pieces like Noises Off or Christopher Guest’s work.
From sharp satire to raw emotion and meta-commentary, these three films take wildly different approaches to storytelling in this Sundance Film Festival.
While quirky and strange are always welcoming qualities, they can also be quite risky. Wilson Kwong reviews Bubble & Squeak and By Design.
A Woman is a Woman has never looked or sounded better—but Karina’s effervescent charm remains the film’s most valuable asset.
While these three Sundance movies are narratively different, their female focus leaves this trio, all by female directors, a fantastic assembly of our talent in today’s industry.
This year, I’m kicking off Sundance with one of their short film programs. Here are four films from the Short Film Program 2.
Sometimes a film rises above a Z-movie premise on the strength of its characters, and the Death Of A Unicorn trailer is a prime example.
In the new comedy Not an Artist, we follow a group of artists taking the ultimate gamble to unlock their true potential, or perhaps lack of it.
Rocky’s focuses on complicated friendships and the joy we can still find in them, even if a tragedy forced us back together.