Despite Martin Eden being only two hours, it is so densely packed with a cosmos’s volume of emotion and life, that it is as epic as any Sergio Leone or David Lean film.
We take a look at John Brahms’ 1940s trilogy of psychological noir and how they help can help us predict and understand fascist ideology and the alt-right.
Fire on the Hill is an inspiring journey of building, rebuilding and reinforcing a community for the black community in Compton, away from the notorious factions that gave the city a dark reputation.
In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.