Claire Denis
A woman’s life spirals out of control when she becomes involved in a passionate love triangle.
Denis Lavant’s foremost concern in his work, acting or otherwise, is movement itself, in all its intricacy and possibility.
This week’s Video Dispatches covers the new home video releases of Buster Keaton’s films, The Reptile (1966), Claire Denis’ High Life and 2018 film Transit.
Video Dispatches is a regular column reviewing recent home video releases. This week we covered Claire Denis’ softly dismissed Let the Sunshine In.
What happens to those without resources to evacuate a dying world? John Stanford Owen examines life and humanity in High Life.
In High Life, a father and his daughter struggle to survive in deep space where they live in isolation.
The English language debut of iconic French director Claire Denis is thematically dense and transgressive, designed to provoke intense debate.
Reviews of Claire Denis’ latest, a film from Bi Gan, and more – straight from Toronto International Film Festival.
Director Claire Denis is choosing a more diverse range of film projects than any other time in her career – and it’s best exemplified by Let the Sunshine in, a romcom that subverts genre expectations on the hunt for true love.
It’s hard to imagine how Let The Sunshine In could go wrong, and given the strong reviews after its premiere at Cannes last year, it seems like a sure bet for any self-respecting cinephile.
We report from BFI London Film Festivals with reviews of The Party, Loving Vincent, Brawl on Cell Block 99 and many more.
The characters in her films don’t say much, but Claire Denis still manages to create worlds where communication arrives in other forms.