cinema
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The shutdown resulting from the virus has shaken the foundations of the industry challenging the ways that films are produced, distributed, and exhibited.
Kindred features impressive performances from all actors, but the script lacks action.
National cinema is a tough subject to broach. You may not have even heard of it before. Film Inquiry provides a beginners guide.
Slowly, over 11 years and 22 feature films, not to mention some admirable TV shows sprinkled in between, Marvel has been training audiences to return to their screens again and again.
Cinema allows us to immortalise people and events, capture change and examine the nature of time. Liam Beazley explores how time is explored in film.
If cinema is to survive as anything resembling what we recognise it as today, then major theatrical exhibitors need to stop pissing into the howling gale that is the streaming revolution.
In the battle between Spielberg and Netflix, it is not about the cinematic experience, rather than profitable business plan.
Following Spielberg’s Netflix comments and more people saying they’d prefer to see movies at home, Alexia Amoriello defends the theatrical experience.
We spoke to directors Robert A. Clift and Hillary Demmon about their new documentary, Making Montgomery Clift,about the process behind the documentary and retelling Monty’s story.
We spoke with Executive Director Dave Cowen of The Roxie Theater in San Francisco about the art of screening celluloid film and how they keep film alive.
It’s quite rare that horror films are given any type of awards attention, despite their prominence in the mainstream film scene. We discuss why.
Times are changing in the way of television as the bond between cinema and television screens are getting stronger. An observation of current trends.
Six foot plus, Nick DeRuve looks a movie star. And although he’s done some acting, it’s on the other side of camera, as a screenwriter and director, that the young filmmaker is intent on making his mark. It’s been a long road for DeRuve, from Schenectady, in upstate New York, to LA, and longer still to Toronto, where his movie The Runaway was recently screened.
Why do we visit cinemas and how come we take the time to drive a considerable distance to pay upwards of $10 per film? Maybe it is to see a film that you had been anticipating for some time, or because a group of friends decided to check out a new release. No matter the reason, the focus is always on the film as the main motivator.